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25th of May 2018


'The Love Potion': Tristan and Isolde, the Long Beach Opera way

Indeed, Martin, who died in 1974, uses hints of Schoenberg's 12-tone technique and Bartók-like dissonance within his flowing tonal scheme to striking effect. There's also a bit of medieval chant in the score, which rarely rises above a forte, suggesting the influence of Debussy's dramatically allusive, impressionist opera, "Pelléas et Mélisande."

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